According to the author. Skirt is a symbol of femininity, female beauty having its sacred value. Women at all times did not accidentally be depicted dressed in a skirt or dress: in antiquity, humanity felt a connection with nature harder, and people understood that women from men differ not only at the physical level, but also on the energy.
According to legend, the woman is arranged so that it gets all the energy from the Earth, the Mother of the Earth. Accordingly, this is the energy of the mother, which is expressed in the material benefits. It is worth noting that the childbearing function was associated with the energy flow, which came from the ground, so that the connection appeared and was not lost, the skirt was carried to the floor, stitched on the sides.
This is a small joining how important it is to wear skirts, I found on the Internet. And very glad that herself always preferred skirts. Nowadays, when fashion has become more loyal and you can not be afraid to look old-fashioned, I also sew myself exclusively long skirts to the floor.
So I now offer everyone to see how I sewed a long, bright skirt with the use of Sinel technique.
The skirt turned out to be double - you can wear in winter, drawing extra energy from the bright paints of the fabric stuffed pattern.
For a skirt, I used two types of flax - one dense altooth, the other thin with a printed bright flower pattern. To confuse the figure intensity, it was decided to use Sinel technique - then you mean when we cut the top layer between the lines, opening the lower layer of the tissue. With proper flower combination, it should be beautiful. Cream-pink flax How it is impossible to better approached a colorful pattern on an intensive burgundy background. Again, my favorite cut in oblique, as if created for a tandem with Sinel appliances.
Nothing special for sewing such a skirt is not required - only a standard set of tools:
- scissors;
- needles;
- the paw is ordinary and for zipper;
- Threads in tissue tissue;
- English pins for targeting parts;
- Portnovsky chalk.
It is not difficult to carve an oblique skirt. As a basis is taken by half and cuts off on the sides, depending on the width desired, but not less than the volume of the thighs (just less, only if the figure is impeccable).
On the fabric it looks like this: I add two canvas from the colored and monophonic flax face to face, sharpening the side cuts and turning out. Ironing seams, trying not to stretch the fabric once again. Thus, the sections of the side seams do not need to coach.
Now I'm smoking the pins. And I make a markup (tailor-shallow) from the waist line to the bottom, repeating the shape of the skirt trapezion. Location on marking, trying not to pull the fabric.
The obtained strips visually divide in half and again to the line, only not from the waist, but from the honeyline. I do not forget to make leaving at the beginning and at the end of the line. Between the lines then we cut the fabric. I did not buy a special knife - cost ordinary scissors.
View from the inside:
The fabric still stretched, so I had to fasten the molding.
Cutting the tissue between the seams and threw it into the washing machine (gentle mode), after which the car was becoming such adorable.
Important: strips that are adjacent to the edges is better to cut after the side stages
The top of the skirt (from the waist to the thigh) did not cut.
Total side seams. The seam, in which there will be zipper, has become the widest line on the length of the zipper, the seams of irrigated.
With the inside, the zipper attached to the place of contraction, combining the central part of it with a seam that connects the shelf and the back. Pinch. Noted. Pins took out. Stopped using a special foot.
Where the slider has thickening, plumming the fastening seam.
I open a little zipper so that the runner does not interfere with the edge.
The following photos are visible to admitted flaws:
1. One shelf was cut for a long time almost to the waist, without thinking that this part would be exposed to larger friction. True, I have an excuse: when I cried the skirt, and did not think that it would be a winter version in a tandem with a jacket.
2. Hurried cut strips adjacent to side cuts - now you need to pave an additional fixing line.
The top edge of the skirt first did not plan to process. But due to the extortes, you need to process, otherwise it is not Comilfo.
Skirt top edge clipping.
1. I expect a strip equal to the length of the waist + 5 cm, and about 6 cm wide. Bending 1.3 cm, I pull one edge and the other than the other. The root edge is glued to the glue cob, making small pieces in the scene of the bend through small gaps.
2. Folding the wrapper face to face with the waist line, I'm smoking, despaling, compassionate from the edge of 0.5-0.6 cm (the width of the paw from the edge).
3. The edges of the hopper envelope side seams with lightning.
4.5.6. I turn around the furnishings, envelope the line of the waist, I lay down, despite, rejuvenating the seam "in the groove" (if the vision allows).
If you sew in pin (like me), then in front of the needle they need to be removed: besides the fact that you can get a machine needle in the pin, in the place where the pin of the knocked, the machine can do stitches (photo 7).
Processed with a hint, pasted. Ready.
Well, perhaps, that's all. I do not need to iron this skirt. All the cuttings and side seams were processed in the sewing process, so you can wear, pre-pick it up to it.
True, this is not the end of the story, because I'm going to wear this skirt in winter with a jacket! But first I have to work on it, turning from a modern boring jacket into something like a caftana. But it will be a completely different story, and today - everything.
A source