By making these candlesticks, I used the Fucking lacquer, which was repeatedly asked about. So I decided that it was better to show one time than to explain one hundred on my fingers. There is nothing new and difficult for decafagnets in my little MK, but what is capable of a fate varnish and how to work with him, I think it will become clear.
The new year can not be without a tree, champagne and of course candles. Of course, you can go to the store and buy a candlestick and candles. And you can open the dishwashed cabinet and make candlesticks such as anyone else will. We take out old glasses, which thoroughly sorry and because of your noncompleteness, it is impossible to put on the table and proceed to work. The more good these candlesticks that the bay in them is paraffin, with a pre-inserted wick, we will get candles and candlesticks immediately. And old candles in any house will be found.
I made the first candlestick with blue rice paper with golden threads. I always glue the rice paper first. I just like it so much, while your hands remain clean, but you can glue on PVA or immediately on the varnish. Paper rushed to pieces and stuck with them all the glass. The glass was preventing a glass. You can degrease any alcohol-containing agent. We must try to glue with a minimal launch, but not allowing properins. No rice paper is not scary. You can use one of the white layers of the three-layer napkin. Which is necessary, after sticking, paint acrylic paint in the desired color.
The glass completely stuck with rice paper. More on wet paper was missing his glue PVA. When the flow is dry, covered two more layers of acrylic varnish. Then cut the battered from the adhesive film and stuck them on a glass. Building tape stuck strip on the top of the glade. Before applying the fates varnish, all the places where the varnish will be applied, covered with a special soil for the carbonate varnish (for inevitable surfaces). When the soil is dry, caught a facial lacquer. Varnish applied with a thickness of about 1.5 mm. The thicker layer of varnish, the larger the cracks. Instead of the fake varnish, you can use the egg shell.
After applying a varnish, there are places for all stencils, gently removed stencils and stripes of construction scotch. Stencils and scotch need to be removed immediately, without waiting until the lacquer starts cracking. After the lacquer is completely dry and cracked, sticking rhinestones and passed the contour slightly. Everything, the candlestick is ready. If instead of the fake varnish you will use the eggshell, it must be pre-painted with gold paint.
For the second candlestick, I used lace paper. Lace paper in structure, the same rice. It is necessary to work with it, as with the usual rice paper. The whole difference is that on lace paper it is necessary to closely treat the selection of pieces in the drawing. If instead of the lace to use a napkin, patterns, after the napkin will be pasted, you can draw acrylic paint.
In this candlestick, I wanted to get a clearly defined edge. The upper fragments of lace paper cut out with scissors, but only at the top edge. And the sides of the pieces, which in contact with each other are also torn off. When working with rice paper, it is impossible to contact exactly cropped edges. After registration of the upper border of the paper, the pieces have already rushed and approximately picking up the drawing, rushed the glass. A glass before work also degreased.
When a glass of rowed completely, missed it with glue, and after drying with varnish. In this candlestick, I also used the fake varnish. But here, in addition to the usual application, receiving cracker, used it also for glass matting. Such an effect from the quill varnish is obtained, if you apply it with a thin layer, a sponge. Before applying the fates lacquered, brought primer for the fake varnish. Primer to apply mandatory on any surfaces on which the fake varnish is applied. Otherwise, after drying, it will turn.
After applying the lacquer with a sponge on the glass and a mastichine on the rim of the legs of the glasses, gave lacquer to dry completely. On the glass turned out to the effect of matting, and cracker was formed on the leg.
When the lacquer is completely completely, the contour went on a glass. I desecated it with rhinestones, semi-leather and stickers. Applied glovers. It turned out another candlestick. I will not describe the process of working with the third candlestick, since there is simply rice paper with a pattern and the process of working with it does not differ from working with two previous candlesticks. Only on the rim and on the leg, a crystal paste is applied.
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