Imitation of gold, presented in the form of gold foil sheets, is called Pottal . You just look at what beautiful things can be created with your own hands. What is not antiques? Literally yesterday in the store of goods for needlework bought the sheets sweat, so that the theme for me is the most relevant today) gathered three master class together in one publication, I hope that the work of talented craftsmen will be useful to you
When simulating gilding, the following materials are used: the adhesive composition for sweaty (aqueous, alcohol or oil mordans or milk) material Imitting gold, copper or silver (potal in sheets, Potted baby, Paltal in rolls, etc.) and Shellac, or alcohol Luck for protection sweat.
Before starting the work, the surface planned to be led by grinding sandpaper, remove all irregularities, roughness. After removal of dust, the surface is ground, covered with adhesive composition and are waiting when the composition will acquire stickiness. After that, the sheet was attached to the surface (lamp meter), pre-electrovating it, and diligently and very carefully the sheet smoothes a column brush, slightly tapping the hair with a brush or a cotton swab over the surface. After this surface is simply polished with a cotton swab, or woolen cloth, to The appearance of the desired shine. If you want to get the surface without brilliance (aged), then it is covered with bitumen wax. To protect the gold-plated surface, the alcohol varnish (shellac) is used.
Plate "in paradise", decorated with sheets sweat. Outrivskaya_elena author
This is the end result. Performed in the technique of reverse decoupage. I needed a gift with the claim that produces the impression of "dear" and I remembered about Paltal ....
Choomed the central motive made all the necessary manipulations with him: a plate of degreased, a two-step cracker, grouting the crack, washed off the secondshag, lacquer, stressed the motive, paint, lacquer, stuck it all with painting scotch, in order not to damage anything.
For "etching", you will need: vinegar table 9%, white bath salt (not color !!!!), milk (special) for sticking sweat, alcohol lacquer, if Palk will still be in the "open" form.
I have fluttered the sheets, but there are still bronze, silver, picked baby of various colors.
Palis is glued by special means: Mandan and Milk. I have milk. That's what I have a semi-finished product ....
Once again, degrees a plate (tea already seized), distribute milk to the tassel, it can be imposed when milk will become colorless. I absorb neatly, distribut my fingers, press and stroke with pressure.
Then the rigid bristle from the bristle flip (Tru and labor) Paltal.
A little will dry, that's with the reverse (facial) side.
"Etching": a little wasting the surface, I scatter salt, raving.
In vinegar, soaked a rag (from nat. Material), wet, but should not flow from it.
Walking a plate. Everyone, now we observe - we spy under a rag every 10 minutes, and then you can completely lose gold .... in time I turned about 30 minutes. The sheets of copper and silver are "etched" much longer - up to 10-12 hours ... .
"Etching" creates openwork texture of the background around the motive, which is difficult to achieve bags, paper robes, etc. in paint. That's how to lumen.
I wash off vinegar under the jet (thin) warm water, and as the mind comes (but I would like the combination with the motive), paint the background. I used. Pink, red, green and brown.
It is very difficult to shoot - Potolina glances much more than just a painted plate, but I tried.
And it's a couple to her - watch. The motive is the same, almost the entire surface of the textured - fine embossed paste.
Places where roses should be "spinled" with cleaner for garbber valves.
At the top of my favorite wallpaper - also a bulk element.
I once placed this plate, but I did not write that here, too, the background - "etching" sweat.
Source http://stranamasterov.ru/node/373719?c=favusers.
Reverse decoupage. Potali etching
Author Ekaterina Karlluk
We will need the following materials:
1. Glass plate
2. Golden Paltal
3. Alcohol Mordan
4. Chemical Patina IDEA Patina 712
5. Acrylic paint metallic
6. Nappet.
7. Acrylic Soil / White Acrylic Paint
8. Shellak
9. Alkudy-urethane varnish.
2. Degrease the plate and cover it with an alcohol face or any other glue for povered the smear to the smear so that there are no empty places, otherwise it will not stick to the skip
3. Thus, cover the whole edge of the plates
4. While Mordan dries, cut out the motif of the napkin with a diameter of the same as the bottom of the plate
5. Mordan dry, and the plate has become transparent
6. With a wide synthetic brush, we glue Paluths to the plate
7. Thus, we glue the entire plate so that there are no empty places
8. Now the circular movements of the brush remove the surplus sweat. It is best to do it above a sheet of paper, so that it was easier to pick up pieces of sweat.
9. There should be such an even coating along the entire surface of the plate
10. Now the brush is applied by a chemical patina by the puddles
11. These are the puddles as a result should turn out
12. We are waiting for about 15 minutes to complete patina drying. Wash nothing
13. So the plate looks from the front side
14. Now we glue the napkin to the middle of the plate face down down glue for decoupage, varnish or pva
15. Waiting for the complete drying of the napkin, it must be covered with acrylic soil or white acrylic paint
16. Next, cover everything with a shellac, then with a metallic acrylic paint, and lacquered again. I prefer to cover alkyd-urethane varnish to cover the plates. So the coating is stronger.
17. That is how the number of infused patina on Pattolia
Source http://dcpg.ru/mclasses/1042/
To perform the project, we will need a napkin, a glass plate, a milk for sticking to stick, golden potal in sheets, acrylic paint, shellac, large seaside salt and 9% vinegar
We put the center of the plate with a film and degrease the glass with alcohol-containing liquid
We apply a milk for povered glass with a sponge.
After 10 minutes, we begin to apply Palis to glass covered with milk. Potted slices are applied.
So cover the entire surface
Soft cotton cloth wipe all Paltal to remove its surplus and press it to glue tightly
Here it looks like a potal from the face of a plate
We remove the film from the plate and put on a potato large sea salt for baths
And cover the plate with a rag moistened in vinegar
After 30 minutes, wash off salt with vinegar under the crane of cold water. That's how the salt was going to our golden Patal. Palk is covered with a shellac layer.
We apply on the riveted Pottal Paint Background - Three Paints - Red, Brown and Bronze Tint
On the dried plate, put the napkin face down and scrub it with glue for decoupage
After drying the glue, we score a napkin from behind white paint
After drying, white paint cover the entire irons of the plates of gold paint
Here is such a plate from us!