Sgraffito, Graffito (ITAL. Sgraffito or Grafrito, literally scratched), the type of monumental-decorative painting, the principle of which is based on the pricking of the upper thin layer of plaster before exposing the lower layer, differing in color from the top. In antiquity, the principle of Ceramics was used in ceramics (archaic vases of Greece and Etruria). In 15-17 centuries. C. spread to Italy as a way of decorating walls (mainly facades, thanks to the special strength of this technique). From Italy S. penetrated into other countries (Germany, Czech Republic, etc.). C. Widely used in monumental-decorative art 20 V. When I saw ceramic vases and dishes in this technique, I just fell in love with her and decided to experiment. The result will show you today. We will need a polymer clay of the same color, oil paint Art of several colors (Oil Paint), a contrasting color to a polymer clay, a homemade tool will show later by a separate frame, gloves are ordinary, dry napkins, knife, rolling pin or napsherazka.
For the foundation, I used a glass vase, turning it with clay. For this, no special pattern is required, I simply lay out the entire surface with the formation, without overlapping them on each other, butt into the joint.
In order to smooth down the joints, I use a roller or toothpick, just riding a surface, simultaneously squeezing the air bubbles between the surface of the glass and clay.
Now I start decoking, I rub the oil paint in any order, thick. I draw without brushes, fingers, not to damage the surface. We protect your hands, wearing gloves) Acrylic paint will not fit, it will dry by film.
I press the dry napkin to the clay, not rubbing, but I just remove the surplus paint to the matte surface, the paint is a little entrusted to the clay, do not be afraid to erase it completely)
It may be necessary to take several napkins, because of the reference, but at the same time, a soft surface, we get a rich texture. I already like it so much, but today is the other today.
Now we will draw a drawing on the surface. To do this, I came up with a tool on the move: on a wire she shouted with a hammer a couple of times so that it became flat, turned her in half and attached instead of drill to the collet, you can simply climb a power to the pencil.
We start drawing, the surplus of clay removes that they do not stretch behind the tool, wipe the wire with a napkin, so that the paint does not bundle clay. Now it all depends on the fantasy and artistic skills. When approaching the defects are visible, you can not touch them, after the baking, it is gently cut to break the blades, but this is if you are a perfectionist:
I got like this:
As examples of work, I decided to use photographs of ceramic products from ordinary clay, which inspired me. From the simplest to the most complex compositions:
That's all. |
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