Master class on Paper-Masha: grandma-tower

Anonim

In this master class I will make a woman in a step and with a broom in a papier-mache technique. Such a grandmother will raise the mood to anyone.

Author: Natalia Yachmenova.

Master class on Paper-Masha: grandma-tower

Action plan:

  1. Wire frame.
  2. on the frame of foil creates volumes
  3. Foil closing painting scotch
  4. on top of the scotch sticking a layer of toilet paper
  5. Nano 1st layer of papier masha
  6. 2nd layer of papier masha
  7. Grinding and spacure surface
  8. Coloring.

At the same time reasoned like this: if there is little foil - I will add a scotch volume, if I can add a layer of toilet paper and add a layer of toilet paper and the first layer of papier-mache masses, the second layer finally correctly correct. And the surplus will remove grinding. What will not work to loose - draw.

According to the plan, I begin to act. All materials In stock: Roll of gray toilet paper, PVA glue bank, wire, putty, acrylic paint.

I chose a glass of stue a cup (from for something sour milk) and shook it with napkins.

Master class on Paper-Masha: grandma-tower

While the cup dries, draw sketch of the future Yaga, so that later she did not get into the knee or chest.

I knew the first (trial) mass of papier-mache, it turned out with rather large lumps (I did not like), I put it on the cup. Not exactly, with the fights, but for future stupas just right.

Master class on Paper-Masha: grandma-tower

According to the sketch of the wire frame, and then, in his plan, I make a carcass of Yaga - Wire-foil-scotch. For the nose, I also made a wire frame so that I did not fall off later.

Master class on Paper-Masha: grandma-tower

We try in a plug in the punch, form the bending of the hands. One hand decided to be rested to the edge of the stupas, and the broom will be in the other.

Master class on Paper-Masha: grandma-tower

Purchasing a carcass pieces of toilet paper. In this case, slightly leveled the surface. Dried up.

Printed the first layer of papier-mache mass forming hump, chest, shape of the head,

Disaster eyebrows, cheekbones, chin, slightly added volume on her hands (the old woman should be thin). Hands do not touch hands yet. And on drying.

Here we already have a snap and Baba Yaga - a wire foot (for this hook it was suspended on the balcony).

Master class on Paper-Masha: grandma-tower

At the stage it is necessary to depict the bark of the tree - from the gray toilet paper it is very simple. I impose a piece of paper on a wet surface of the glue, it immediately goes by waves, increase this effect by several more layers (2-3s enough). With the top I will definitely pass by the glue.

While the workpieces dried, I broke my head, how to fix Yagu in a step. The most reliable counted gypsum. Even if the top of the figure is heavy, then the hipped stupa will not be able to turn over. I add Yaga three more wooden legs (from the geometry school program - a chair on three legs is more resistant).

Master class on Paper-Masha: grandma-tower

From the feet of Paper-Masha, I make a skirt Yaga (I lay folding and attach to the estimated waist). The skirt length made such that in the cup there were enough plaster, but that it was not visible, and the skirt would be resting in it (gypsum). Give plaster, pour into the pitch, I install Yagu, from the syringe (so as not to get the skirt) add gypsum. Six again.

Master class on Paper-Masha: grandma-tower

On the thermocons, we stick to your hand and the stage the basis of the future brooms and wires of the kosyanki.

The second layer of mass correction face. Absorption arcs, cheekbones, chin with a smile, a hubber on the nose, eyeballs and wrinkles "goose paws".

Master class on Paper-Masha: grandma-tower

I make a layer of 8 layers of napkins and cut the back from it and 2 shelves of vests, after extinguishing the old woman, and we finally wear glue.

Papier-Masha mass forming sleeves and hand brushes. From the napkin, carved chickle carved. The ears stuck separately.

The last barcode on the vest, pieces of mass (not even, pork, specifically leaving traces from the nails) Look the border of the vest.

From x / w thread for knitting, moistened in PVA, make a broom.

And again dry.

Master class on Paper-Masha: grandma-tower

Next, I should have a grinding and putty on my plan, but once I have already tried to sand the surface well-missing PVA (very unsuccessful). Therefore, in the process of work, the surface or smoothed with a brush (hands and face), or specially created a texture. Grinding disappeared.

Now coloring. The Skirt is gray-blue, a dark-green brazer, a yellow-green vest, and the blouses for the first time painted purple with a mixture of sulfur, but I did not like it.

Master class on Paper-Masha: grandma-tower

Painted Pearl Dark Rose Blouse - Again, a new satin blouse turned out. And the face of the color of tea roses, like a young girl.

Master class on Paper-Masha: grandma-tower

The second stage of the color tried to give the skin of the old woman a gray-green shade, painted eyes, eyebrows, smile, wrinkles.

Semi dry brush with lighter shades went on a golk and skirt. Vest of "Pucala" dark yellow, green, brown.

The edge of the vest emphasized the bright yellow and orange paint.

On the blouse put the peas and topped with a gray paint.

The pitch, originally painted in gray, a dry brush passed yellow, orange and black paint. Sucked with a pine crust effect.

Master class on Paper-Masha: grandma-tower

Did not forget and form a broom.

Master class on Paper-Masha: grandma-tower

I joked a little, yet the stupa is a vehicle. The initials, date and place of birth, place of residence were perfectly fit on the license plate.

Master class on Paper-Masha: grandma-tower

Signature inscription.

Master class on Paper-Masha: grandma-tower

Full face.

Master class on Paper-Masha: grandma-tower

Profile.

Master class on Paper-Masha: grandma-tower

Semiprofil.

Master class on Paper-Masha: grandma-tower

Master class on Paper-Masha: grandma-tower

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