Crazy Wool ... and a lot of beauty

How I love all these cruise-shrimp stuffs!

Another amazing technique of Crazy-Wool is like a "pizza" from the flap, only work with threads.

Here is the video of the MK from Olga Bulanova, the lesson is true long, super speculative, with a cute talking on distracted topics, but och interesting process and result. The craftswoman took up the most complex kind of threads - slippery viscose threads, but brought to the end. Well done Beauty!

And this is a stunning coat and a very detailed master class from Elena Anfinonnova with all the descriptions and pictures.

For several years now I have been working in this wonderful technique - Crazy-Vul. Very often ask questions to personal mail that concern this technique. The technique is truly limitless for fantasy, and the model and the game of colors fascinate eye. Of course, it is impossible to tell in one master class all the process of sewing coat, so I will tell you on the example of the sleeve, as I do the details for the coat.

For a coat in the technique of Craisi, you will need:

- water-soluble fliesline or Avalon of Guterman or Madeira brand;

- the usual thinnest phlizelin (I use observer material);

- pattern coat;

- yarn;

- Shelk for a subflade;

- sketch of the picture (optional);

- sewing machine;

- Threads in the tone of the main yarn, pins, scissors.

Stages of work on the coat:

1. Production of parts - billets of which coats will be cut down. To do this, we take not soluble fliseline and make a blank for a large future part for 5-7 cm (from all sides), not reaching Niza by 15-20 cm. From soluble, we make the same workpiece, but only already long in the entire future part + 15- 20cm. We begin to lay out on that part where there is no soluble fliesline with soluble. That is, the inner part of the sleeve will be as it were with a substrate on not soluble fliseline, which in turn will prevent its further deformation in the process of socks.

2. We start lay out the drawing. On the example of the sleeve:

We do everything the same for all parts. And we tighten the car arbitrarily very frequent line.

3. We wash the obtained billets for the complete dissolution of phlizelin.

4. We cut the details of the coat on the patterns. Processing cuts on overlock.

7. Getting Started with a coat.

8. Stripping on the rods from Silka for a sublated part. We sew lining.

9. We connect ancaded coat with a lining.

10. We make loop buttons. Coat ready.

I hope someone will find answers to your questions in my master class, and someone will discover this limitless world of Crazy.

Stunning technique! You can create anything, draw your mood!

But the pictures from the "Osinki" on the pictures are the site, where the master is laying out its breathtaking beauty of her needlework and in other technicians.

Well, a little more crazy stuff for inspiration. Even on the pictures it is already clear that the technique is quite simple in performance and maximum fantasy opportunities. Beauty!