No flame tongue is similar to another, but together they merge into one. This fire has recently burned and blinded his greatness, and now it's at home cozy lights of the fading fireplace, it's already starting to smooth coils, but at the same time, the small tongues of the flame are still starting to smoke, they are happy to warm this living room every evening ...
My task was to make different, but at the same time the same earrings, each element of which should not have been repeated, but at the same time the earrings should look like one as a kit.
Materials:
Beads Miyuki 11/0, Miyuki 15/0 gold and steel color.
Glue rhinestones Round: SS3, SS4, SS5, SS7, SS8, SS4, SS5, SS7, SS8, SS10, SS10, Colors, Graphite, Crystal, Siam.
Glue rhinestones Flame Flat Back No HF: 7.5 mm, 10 mm, Light Siam and Fire Opal.
Books 3 mm Jet, Graphite, Metallic Sunshine, Books 4 mm Graphite.
Drops 30x20 mm Graphite
Drops 18x13 mm Graphite, Astral Pink
Drops 14x10 mm Graphite, Astral Pink.
Raindrop 11mm Golden Shadow, Silver Night
CHATON MONTEES 4MM GOLDEN SHADOW, SILVER NIGHT, BLACK DIAMOND.
Gold rims for all crystals.
Recipe 1 mm Light gold
Schweatsi, threads, needles.
Glue for crystals, glue for inside.
Basis for embroidery (hard felt), eco-suede for inside.
So let's get up!
1. In the photo, the two-component transparent glue Uhu Plus Schnellfest, his only plus and, at the same time, is minus - is fast drying. Therefore, I didn't even do the photo during stickers, you need jewelry accuracy, speed and non-shaking hands. Literally after 5 minutes, "crystals with crystals" will be ready for further work. Algorithm Stickers:
- Clear the surface of the crystal with liquid with an alcohol content (I have a liquid for removing a varnish with acetone)
- Stir both components of glue in the proportions that are written in the instructions (in my case 1: 1)
- Apply the glue to the place of the future rhinestone, it is better for all rhinestones on one crystal one. Apply very little glue, otherwise leaving the corners.
- Special tools for crystalizers or simply tweezers / tweezers impose rhinestones to the place designed to them, press for loyalty so that the glue grabbing with the entire surface of the rhinestone, and not only at that point he was applied. During a couple of minutes, there is the possibility of moving them, corrected.
So rhinestones are placed on crystals:
No stone is repeated, it turned out at the same time asymmetry and similarity, the main thing, not to confuse during the sewing, so just in case, I photographed the layout and other details that will be on the sides:
2. We start sewing crystals to the hard felt. If they are constantly shifted, then you can glue the rim to the base for embroidery.
Sewing all the main crystals, we pass a thread several times through holes in the rims, so that I certainly did not move:
3. Insert Raindrop in the Rim:
We start sewing them:
4. The stability of small elements is much more complicated in sewing than large, again, you can use the leak droplet, but not for all crystals at once, but only for the one that is inserted at the moment. After each crawled drop, I added the rest to check that the desired pattern does not shift.
5. Seer tatone, details about working with them in the master class of the heaven earrings. Shadon on both earrings of different colors, but in the same place.
6. Now we need to build coals, as the earrings are called "smoldering light," it means, in the fireplace, if you fall, there are already coals. To visually allocate them, make a contrasting border with gold beads and restaurant.
- The side of the rim from the rims is made by gold beads of the bridge out of 11/0 and 15/0 sizes.
- On top of the bridge add a soft rope, two pieces, to the DAC and after the DAC (blue arrow).
- Under the bridge, embroider a number of graphite color bikouses, size 3 and 4 mm, three bikonus 4mm, along the edges of 1-2 bikonus 3 mm, it will be the middle row of coal (red arrow).
- Upper tier, consisting of two biccuses of 3 mm, add as follows: we leave the needle between the average barcuses and the rim, we ride two bispers 15/0, Biconus and one bisper 15/0, return the thread again to the Bikonus and two beads and sew in that The same place where they started (white translucent arrow and photo in a circle).
So coal looks on the second earring:
7. Gently cutting a felt as close to the crystals as close as possible, repeating each bending, we try not to hurt the threads:
So at the moment it looks exhaust:
8. As an inside, a black artificial suede is chosen. We glue the basis of the "Moment Crystal" by glue. In this case, it was not necessary to compact with cardboard with a cardboard, since the felt is hard and keeps the shape, and the seams are not visible through this suede.
9. Cut off the inside on the same contour, again no allowance:
So the result looks on the side and in front:
10. In this case, it would be possible to make edge processing to make a simple seamless without beads, but I need a gold edging, start to sneaking with a spot: the method is described in MK Earrings "Versailles" (18-19 item)
11. Opposite the two tiers of coals, we put the edge instead of the beads of 3mm Jet and Graphite bikouses, somewhere darker somewhere, somewhere lighter.
So the inside looks like the processing of the edge by bikonuses:
12. We continue to sneak the edge, but in front of the tattons change the color of beads on steel:
So now it looks exhaust:
13. If you wish, you can add a caniler in places where the holes of the rim can be seen:
14. In the photo you can see where at the moment there is a thread, we will not embroider from this place, and we need to make it necessary to suspend Swenza not behind the sealing row of beads, and closer to the crystal, firstly, it requires equilibrium of future earrings (if fixed In the wrong place, the earrings will not hang vertically, but at an angle), secondly, it is not necessary to suffer so that the beads in the sealing row be symmetrical about Schwenza, because otherwise - a millimeter to the left-millimeter to the right - and already Schwenza hanging crookedly.
We recruit beads, bonuses, Chateton and Swenza as in the photo:
The second earrings have the same, but materials of another color:
15. Fix from the other side and spend several times through this loop again. This looks like the fastening of the Swedza in front, rear and on the side:
The first earrings is ready, we make a second, turning with a photo of the original idea, because even in the sides of the sides there are color asymmetry:
Ob'nanka of both segments as it were hinting "decoken me, decoken me" :)
16. Well, you have to decorate! Again selection of options:
We glue the rhinestones on the suede, the only nuance is that the glue needs more, it is necessary to noise the place on the ground well, as well as apply glue to the rhinestones themselves.
Well, finally you can admire the result:
Pleasant creativity, my dear!
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