In the photo below, you are represented by unusual materials that were used for pseudo-making and pseudocolore in a decoupage from the eggshell. Namely: disk and egg shell.
A little about the preparation of the shell for use in decoupage: with fresh eggshells to remove the inner white film, rinse and dry well.
The disk is coated with soil and leave until complete drying or accelerate the process using a hair dryer. After the cut-covered disc will dry, put on the surface of PVA glue (the glue is not divorced and do not regret, apply a thick layer) We take the shell, apply to the place and add it to the shell cracking. The resulting pieces with the help of the toothpicks are pushing for small distances between the shells of the shell. By laying out the shell, we get a mosaic semblance. Must admit that this process is so fascinating that it is difficult to break away from it.
We leave the resulting mosaic about a day (I did not solve the hairdryer) to the complete drying of the glue.
On my photo, a hole is not blocked in the middle of the disk, it was a small protest, which I later corrected, taking the hole with a conventional paper circle. But, if you are going to do from such a disk, such as a clock, a hole in the center will have to be likewise.
Since I used the shell of various colors so that it would make it a "multi-fifty" from under the napkin, on top of the protein shell applied a layer of white paint to align the surface of the surface. If you use only white shell, I think you can do without coloring.
Next, on top of the resulting mosaic we glue a napkin motif. I have this winter fairy tale (probably, in the spring, Nostalgia has begun on the past winter). In this case, I did not use glue, and glued a napkin with a varnish, applying it on top of the front side of the napkin and smoothing the synthetic brush. Varnish used glossy.
I present to you the result of entertaining creativity:
It would seem that work has a ready-made appearance and finished. And, in general, this is true. You can leave it in this form by covering several more layers of varnish. But I went further about the horror, on top of the finished at first glance, the work applied a layer of blue art oil paint, as shown in the photo below.
There is a logical question: "Why did I do it"? The answer is in the photo below. The oil paint layer is applied to highlight pieces of mosaic. After your picture is smeared with oil paint, we take a soft piece of fabric and wipe it. I remove the extra paint in this way, we get a very interesting effect in the picture - whether the pseudocherarchur, whether pseudomosaica. I do not undertake to define exactly what word this effect is correctly called, but it looks in my opinion quite interesting.
For some reason, I did not dare to cover on fresh oil. Leave a picture to dry up until the next day, and then covered two more layers of varnish. The picture turned out very shiny, glossy and unusually spectacular.
For fasteners, I decided to use a magnet, because The picture was supposed to take her place in my quietly replenished collection of various magnetics. To do this, took a round magnet and glued it with universal glue from the reverse side.
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