Portraits from the stationery buttons from Eric Daiga (Eric Daigh)

Anonim

In the tireless army of lovers of non-standard technician of the visual art, one more soldier has become more. Portraitist Eric Digu (Eric Daigh) armed with an impressive arsenal of colored stationery buttons and went to conquer the height of artistic skill. The intermediate result shows that the ascent passes at least normal.

Portraits from the stationery buttons from Eric Daiga (Eric Daigh)

The creation of these large-scale paintings implies a careful selection of the location of the buttons in the ratio with each other.

Portraits from the stationery buttons from Eric Daiga (Eric Daigh)

In fact, each button acts as a kind of pixel. Thus, the picture from Erica can be compared with the screen.

Portraits from the stationery buttons from Eric Daiga (Eric Daigh)

The fact that the pictures consist of the buttons of only five colors (black, white, blue, red and yellow), once again confirms the relevance of the analogy with pixels and the screen.

Portraits from the stationery buttons from Eric Daiga (Eric Daigh)

The further the audience is from the image, the more smooth it seems to him. Nearly more noticeable that color points are based on creativity.

Portraits from the stationery buttons from Eric Daiga (Eric Daigh)

Eric Dagig says he really likes to create something "digital" with his own hands. Its pixel-button creativity is just an example of this example.

Portraits from the stationery buttons from Eric Daiga (Eric Daigh)
Portraits from the stationery buttons from Eric Daiga (Eric Daigh)
Portraits from the stationery buttons from Eric Daiga (Eric Daigh)
Portraits from the stationery buttons from Eric Daiga (Eric Daigh)

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