Draw, more precisely, painting pains, I am very interested. But, sometimes, I want to try something new.
And not so long ago, I came to us on the forum of Master Natalia (Natalie), which showed her work in a weaving from a paper vine. Moreover, so beautifully combined the brackets with the inserts of fragments of Russian paintings, that the hands of weave was not born with me alone.
And then happened! The first samples were made.
And I removed the process of how my openwork bread bed was spinning with a round donkey painted by Mezen painting.
I took all kinds of weaving from the description of N. Tolmacheva in her book.
Why such a duration of work? At this time, the creeper of paper tubes from newspapers includes, the painting of the bottom (on the usual cardboard packaging box from the supermarket (the background is not toned, after varnishing, it looks very good in combination with the painting), and, also bonding between two bottoms-inner And Nizhnya. Andamo weaving does not take much time. It all depends on skill, skill. I'm just a starting placker, so my handles demanded time to make ideas. The final stage is varnish. I used an acrylic transparent building lacquer. It will dry quickly and Gives strength to "godnoz".
So, the tubes are screwed. Chail the tubes is painted in a strong solution of coffee and tea. After drying, it turns out a beautiful natural color. (You can paint and onion decoction.). Another part of the tubes is painted in beautiful red-brown. Dysheko is painted with the same beautiful color, labeled and sucked. The second is the same donyshko, which will be an external-painted, too, the same construction acrylic, also lacquered and sucked.
Painted donyshko has holes that have done with a screwdriver. Long tubes are inserted in a circle in a circle so that both the bottom of the bottom bending is inserted below.
* The terms are taken, of course from the book, but all the craftsmen and masters of weaving, these terms know. And newcomers or those interested can easily find a huge amount of information on the Internet at the request of "Weaving from paper vine, weaving from newspaper tubes, weaving from the vine"
Now rendered the lower part of the tubes so that the tips were out between the bottoms, began to glue the bottoms. Therefore, I have pressed the bottoms between the pipes with clothespins for a better fit. Of course, the clothespins will be located across the circumference. But in this case, I used such high-speed glue that I had enough time only to accommodate up to 5 clothespins, as he was already swept.
When the bottoms glued together with each other, began to weave one of the types of bending. It can be rogged in two, three pairs of rods and any others - if desired.
Covered after weaving this bending varnish from considerations that when trimming a unnecessary tubule will not be unwound and it will look careful. Well, since I want to give my woven the most approximate to the natural - weaving from the vine, then I do not fill the tips among weaving, not hiding them, but briefly cutting off.
After performing this bending at the bottom, which gave not only a more decorative appearance, but also covered the place of the junction of cardboard dyshk, took the tube painted with construction acrylic. And literally a couple of rows rope literally.
* Also a variety of weaving types, according to your choice, in available Internet resources.
After fluttering this rope, the foundation began to form an openwork from the main racks. As such flexible plastic stuffs are used, which spin sachets. (Clothespins are attached to heavyness, it is strongly bent a paper vine. Therefore, I and the stand-start of weaving is not a clothespin, but a thick thread)
As soon as I saw that these openwork interlacing would like to develop further, as far as the length of the pipes, forced themselves to stop. I decided to finish these frills. He took again light tubes, had four rows of a simple rope to align the racks, bring them in the original appearance.
Finish the braid decided the same red-brown color. And for this, the bright racks painted with earlier tubes. Of course, before performing the final-top bending, I had to expect when the glue dries, which was used by building. Light tubes were circumcised as quickly as possible. Therefore, the adhesive was dried carefully so that nothing of the winding would have broken.
Figure is made.
Went is backed, all excessive tips are cut off. Once again prolaked, dried. And this is such a braid ready.
In conclusion, I just say that I tried to weave and completely dry tubes. And slightly moistened. So-moisturized tubes I liked weave more. Of course, they should not be wet. For moisturizing, I took the usual sprayer, like, as in chemical household products or-on a bottle for moisturizing under the ironing. Just sprayed the water high above the tubes. Water caught up with the smallest droplets. And the tubes became more flexible, not climbed, the weaving turned out more dense. But the upper bending, in my opinion (now) turned out not so gently as I would like. Here, the brown tubes have been played by the brown tubes and thicker and not moisturous (feared that the place of gluing when building it is spacing).
A man who is just begins to make the first steps in weaving in anticipation that when the hands get to the present vine, then I will already have an idea how it is done.
Therefore, I can't say that my actions are the only true.
But a couple of things awk up.
Here is such a basket with a bottom in Permogorsk painting:
And I tried to straighten the frame for my Permogorsk panel.
The mood to continue this fascinating business did not disappear. I hope that in the future my work will acquire grace.
A source