Kokunye kwamakamelo ephephandaba laseMelika "The Carpet Trade and Review" (ngasekupheleni kweminyaka yama-1880), okunikezelwe embonini yekhaphethi, umsuka wokuhlanya, umsuka wokuzalelwa yindlu enobuhlakani njengokwelashwa kobuciko njengokwelashwa kobuciko njengokwelashwa kobuciko njengokwelashwa kobuciko njengokwelashwa kobuciko njengokwelashwa kobuciko njengokwelashwa kobuciko njengokwelashwa kobuciko nje
Kepha ngokuhleleka.
Lapho ngo-1876, i-American Wislewomen yabona embukisweni osemqoka ePhiladelphia Ukuchazwa kwe-ceramics yaseJapan kanye nezindwangu, umcabango we-Aillleworkworkwork America washaqeka.
Ama-motifs we-asymmetric, ama-asyltity ama-motifs, ingcebo yamaphethini, umusa we-silk kimono, umthungo wokuhlobisa - konke lokhu kwavula isifiso sokukhiqiza kabusha emigwaqweni yezwe elisha, ukuphinda into efanayo nobuciko baseJapan. Lesi sifiso, ngaso sonke isifiso sakhe, sawa e-American Quilt yaseMelika, lapho baqeqesha khona, bathuthela amafulethi kasilika bazihlobise ngemikhumbi yokuhlobisa egcwele amakhosi aseJapan.
Kwakuyinhlanganisela yemibala yasendle, ezenzile, osayizi, bobunjwa kanye nokwenziwa. I-quilt entsha ingahle ibe nezingcezu ezihluke ngokuphelele, okufanayo okufanayo nakukunye kwako kungavele kuhlangane! Lokhu ngokwesiko nangokuqinile "okulawulwa" Quall akukenzeki. Amalogi ama-ladies abizwa ngokushesha indlela entsha esenkingeni "patchwork yaseJapan", bese umane nje "uhlanya" uhlanya.
Kuyahlekisa, kepha kwelinye lamakamelo ephephandaba laseMelika "The Carpet Trade and Rebuction" (ngasekupheleni kwawo-1880) okunikezelwe embonini yekhaphethi, umsuka wokuhlanya okuhlanyayo uzelwe endaweni ethile yobuciko njengezokwelapha .
Ngokulunga, kufanele ngithi inqubo yokuhlanya yazalwa ngokushesha ngemuva kokuchazwa kwamaJapan. Isazi somhlaba esise-Crazy-Quilit Camilli Cognac sibonisa ukuthi iCrazy CVItt ivele ezindlini zaseRoyamu, emajele. Izingubo ezenziwe kahle emishini ye-patchwork yatholakala ngisho nasemathuneni aseGibhithe. Kodwa-ke, kwakuwumbukiso waseFiladelphi waseFiladelphian owanikeza umfutho onamandla ngokwengeziwe ekuthuthukisweni kwe-Qualt Crazy.
Omagazini bamanenekazi bakhulume ngalokhu kuthuthumela, bathuke emigodini ekhethwe ngokungahleliwe, njengenselelo ephelele, abanye babenomdlandla, kodwa okubaluleke kakhulu, bakhuluma ngaye. Lokhu kwanele ukuze kuvela i-crazy-quilit endlini ngayinye yaseMelika, ezinkulu, ezincane. Ngemuva kwakho konke, ngisho ne-novice seamsstresses ingayenza - inqubo yokubulawa kweCrazy CVITT yenze ukuthi itholakale ngokuphelele kuwo wonke umuntu.
Ama-typlography noma omagazini abaningi benze othandweni olusha lwebhizinisi laseMelika, ukukhululwa kohlelo lokugcwala okuhlanyayo, nasemaphephandabeni kwakuhlala njalo ukuthola izikhangiso ezivela kubantu noma leso sinali esidalulwayo. Ngisho nemboni kagwayi esebenzisa uthando lwabantu baseMelika ukuze bazuze!
Abakhiqizi bakagwayi batshaliwe kumaphakethe ngama-cigar namagwayi izingcezu zezindwangu zesilika ezinezithombe zezimbali, amafulegi, izilwane, abantu, izimvemvane, njll. Ukuhamba kwe-Cunning Marketing kwasulwa ukungabhemi abesifazane ukubhema, ngakho-ke ukuthi abesifazane babengeke baze ngoJean kulo mkhuba walo madoda abo, naphezu, ngazo zonke izindlela, ngazo zonke izindlela, ngazo zonke izindlela, ngazo zonke izindlela zibakhuthaze. Ukufumbathisa usilika kwakubukeka kanjalo.
Ukusuka endabeni yendabuko, ngokuqondile ye-geometrically Quilt, i-Quill Crazy yayihlukile ngendlela ebabazekayo kakhulu. Eminyakeni yokuqala yokuthuthukiswa kokuhlanya okuhlanyayo, ithoni yammisa inhlanganisela yezicubu ezincanyana ezi-extitic (atlas, usilika, i-tulle) enesibalo esiningi, kwesinye isikhathi umhlobiso onobuningi, izinkinobho, izimbambo, i-lace, ubuhlalu.
Ukuphana kokuqeda ukufezekisa kanye nemithungo yokuhlobisa eCrazy Quilt akuchazwa kakhulu ngethonya laseJapan (ukufezekiswa kwe-sashiko noma ubunzima bezicubu ze-Japan ngokwazo), mangaki ama-stereotypes wesikhathi mayelana namakilasi abesifazane.
Umsebenzi wendabuko womfazi ohlonishwayo wayewukuthola inalithi. Kanye nomhlobiso owedlulele ngokweqile, okuhlale emgodini wokuqala wehlanya, cishe yonke indawo yokugcwala, ngenxa yalokho indwangu yakuthola kunzima ukuyibona, empeleni kwakuwukubonakaliswa kwekhono lenaliti eliphambi kwalowo nalowo Okunye.
Ukudalwa kokuthuthumela okuhlanya kuhlale isikhathi eside, kwesinye isikhathi iminyaka eminingana. Lezi kwakuyizingubo zokulala namaphaneli odonga ezenziwe iningi lezimo nangezizathu eziningi. Emaqoqweni eminyuziyamu, ukuqoqa ukuqubuka emhlabeni wonke, kukhona izingubo ezinikelwe hhayi kuphela izehlakalo zomuntu, kodwa futhi nangezenzakalo zezwe, ubuntu obungokomlando, ngokwesibonelo, amasosha empi yombango, abalingisi, abadlali, njll.
Iningi elihlanya elihlanyayo aliphumanga ngomqondo wabo wangempela - ekuqaleni ladalelwa ngenxa yokushisa nenduduzo, ngokungafani nokwakheka kwendabuko. Ku "uchungechunge" olufanayo "lubandakanya amasu agxile afana no-Yo-Yo Quilt, i-quilit" iwindi laseCathedral "kanye ne-quilit yebhisikidi
Ngenxa yokungasebenzi kwayo, ukugcwala, ukugcwala okuningi okuhlanyayo akukwazanga ukuthola indawo yawo emindenini yaseMelika ekupheleni kwekhulu le-19. Ngemuva nangesikhathi esifushane kakhulu, usilika obizayo, okuvela kulo crita cvita ukuthuthwa, waqala ukudilizwa.
Futhi kulokhu kwakungekho phutha lenaliti, njengehlazo. Abathengisi bakaSilk bathengise izimpahla zabo babiza kakhulu, bandisa isisindo saso ngosawoti - usilika ofakwe emanzini anosawoti, bese womile. Mayelana nesiqu saziwa ngemuva kweminyaka embalwa.
Kuyiqiniso, uSilk no-Atlas kwakungeyona ukuphela kwezinto zokuhlanya. Ekuqaleni babetholakala kuphela enalamene, ukuchuma kwemindeni yakhe engaphezulu kwesilinganiso. I -Istewomen yasebenzisa izinsika zezindwangu ezingabizi kakhulu, ukotini, ngokwesibonelo. Futhi, ngendlela, kwaba lula kwakukhona izindwangu zeCrazy Cvitton, kwaba lula kwakuwukuphela kwazo - kwakungekho mthungo okuyinkimbinkimbi wokuhlobisa, ukufekethisa, imivimbo, njll.
Njengomkhakha kanye nobudlelwano bezomnotho, usilika noSatin bathintwa yimindeni ephaketheni nemindeni ejwayelekile, eyayidunyiswa kuphela CVITA eMelika. Ngaphezu kwalokho, ukubukeka kwemishini yokuthunga kwasiza futhi kusheshise ukwakhiwa kwezingubo zokuhlobisa zokuhlobisa.
Intshiseko ye-Crazy-Quilt yaqala ukuya ku-NO AMUSA ngemuva kuka-1920. Futhi-ke kwakuhlangana nakancane. Imizwa yabesifazane eyayihlaba umxhwele abesifazane kanye nentuthuko yalombozi benza umsebenzi wabo - isithakazelo sokusebenzisana kwabalitile saba ngaphansi. Kepha isikhathi esidlule, nokuhlanya - uthuthuke futhi kwanakwa.
Imvuselelo yakhe yaqala ngasekupheleni kwawo-1980 futhi isaqhubeka. Namuhla, i-Crazy-quilit ubuciko obugcwele obugcwele nemithetho yabo, izimiso kanye nezindlela ezidinga ukushiwo ngokwahlukile. Ngenxa yethalente nokunemba kwezinye izingcweti, i-Crazy CVItt ayisabonwa njengobuciko bokushoda, kepha iba ubuciko bokunethezeka nokunambitha, akuwona kuphela inani lobuciko, kodwa futhi kungokoqobo kwansuku zonke. I-Crazy-Quilt ibuyela endlini, manje sekuyithatha indawo yakhe efanelekile kuzo. Mhlawumbe nasendlini yakho kukhona okunjalo?
Ngeshwa, akuzange kusebenze ukuthola izithombe ezisezingeni eliphakeme ezibonisa i-quilt, ezakhiwe ngasekupheleni kwekhulu le-19 - ekuqaleni kwekhulu lama-20. Ngakho-ke, kulokhu okuthunyelwe, sebenza kwinqubo ye-quilit ehlanyayo, eyenziwe nge-Sasewomen yanamuhla, ukunikeza umbono ojwayelekile ngale ndlela emangalisayo yokuthunga i-patchwork.
Umthombo