Lokacin da nake da yanayi mai nauyi, to, ina so in zana. Ban yi a duk masanin ba kuma bai yi karatu a makaranta ta musamman ba, amma ina son zana sosai. Nayi sau da yawa da da suka gabata tare da canza launi akan lambobi, ya shiga, ya shiga, ya fara zaɓar ƙayyadaddun abubuwan da aka yi kuma shafa ƙarin launuka. A ƙarshe, ya juya ya zama kaɗan kuma ya yanke shawarar samun masaniya da dabaru daban-daban. Yanzu, ta hanyar mallakar waɗannan ƙananan dabaru, Zan ba da mamaki duk shimfidar wurare ko har yanzu suna cikin gida. Zan gaya muku sirrinku.
Wuka
Masu fasaha masu fasaha suna fenti ba kawai tare da buroshi ba, har ma suna amfani da dabaru daban-daban, alal misali, amfani da masticine. Wannan shi ne irin wannan ruwa tare da mai ɗaukar hoto ko wuka, rike yana da tanƙwara wanda ke ba da damar kayan aiki da kuma amfani da strokes mai laushi. Dole ne a zana shi don daidaitawa, amma Tasel baya juya irin wannan ƙarin bugun fenarila. Don samun tekuna don ɗauka:
- zane a kan subfame;
- wuka wuka;
- Acrylic fenti: shuɗi, kore, rawaya, fari da baki;
- wani yanki na masana'anta;
- palette don matsi zane;
- fensir mai laushi.
Da farko, fensir ya bayyana layin teku, dutsen da ke cikin ƙasa, tsaunuka a cikin nesa, hasken rana a ruwa. Fenti mai narkewa a kan palette, to kamar yadda "yanke" gefen baya na spatula kuma na karanta layin teku kawai sama da tsakiyar - layin juya turquoining a matsayin launin ruwan teku. Na ƙaddamar da fenti, kamar idan rubbed cikin zane, ƙungiyoyin sun kasance dan kadan, saboda akwai jin ruwa. Addara baƙar fata ga waɗannan launuka da kuma fentin dutsen kololuwa a cikin nesa, sun ragu kusa da sararin samaniya. Sama'ima a kai ce, ruwan yana da duhu, tsaunuka suna turkun-launin ruwan kasa, a bakin tekun farko. Sa'an nan kuma gefen spatula ya kara manyan bayanai a cikin ruwa tare da launin rawaya da fari - tare da taimakon fararen fata - launin ruwan kasa da baki. Pebble ya zana inuwa daga rawaya zuwa baki, kamar kadan murabba'ai cike kusurwar bakin teku, wanda aka karya shi da fashewar yadudduka. Mastichein ya goge mayafin koyaushe kamar yadda kar a ga gilashin da ba dole ba tare da sauran. Don sakamako mafi kyau, splashes amfani da ƙwallon Mint Loil. Yankin ƙasa na teku ya zama kyakkyawa sosai kuma mai haske.
Tsare
Don zane na biyu, Ina Bukatar:
- Watman A3 takardar;
- acrylic fenti;
- blo goga;
- tsare;
- Bakin goga;
- ruwa;
- palette.
Da farko na watheshe launuka tare da manyan maki madaidaiciya a kan takardar: Fari a cikin layuka uku, low jere, baki - maki fannoni. A saman ya juya layuka shida da suka cika duka takardar, da shuɗi fenar fenti da aka ciyar da fari fari a saman jere zuwa dama. Babban buroshi mai laushi a ɓoye ƙasa dukkanin maki, dan kadan hade da iyakar launi, ya juya ya zama tushen da yawa. Na nemi zana zagaye mai tsabta a ƙarƙashin sararin sama. Bayan haka, crumpled fiil a cikin kwallon kuma duba cikin fenti, hada farin da ɗan kore. Kana ya taɓa zane, kamar dai ya fara daga tsakiya, sai ƙasa, fari, fari, fari. Don haka cika duka asalin tare da Layer. Ya ɗauki wani abin da ya faru a cikin itacen da ya dace da gangar jikin itace, ƙwallon daga kayan siffa mai launin shuɗi, babba, duka nisa na takardar. A ƙarshen tassel na bakin ciki, akwati ya jaddada, fentin suttura da karamin adadi a kansu, ƙara inuwa daga babban itace. Ganawa "Fara lokacin bazara" ya shirya.
Kwali
Don zana fata-fari fata a faɗuwar rana, ya yi amfani da guntun kwali. Abubuwan da ake buƙata:
- Watman A3;
- GoUache;
- ruwa;
- buroshi;
- kwali.
Daga kwali a yanka tube na fannoni daban-daban: 2 a 5 cm, 2 - 3 cm da 1 - 1 cm, kuma sun lankwashe su cikin rabi. A gefuna na a tsaye takardar, akwai maki 10 manyan maki a hagu da daidai. Jerin abubuwan:
- Ja.
- Rawaya.
- Fari.
- Ja.
- Rawaya.
- Fari.
- Ja.
- Green.
- Shuɗi.
- Fari.
Ya ɗauki tsiri na kwali a 5 cm kuma a hankali ya shafa maizheache daga hagu zuwa dama kuma a gaban shugabanci - ya juya ya faɗi. Ya ba da bushe minti 30. A tsakiyar tsiri tsiri, buroga ya ɗauki manyan maki 6 tare da fari, ya ɗauki tsiri na kwali a cikin 3 cm da kuma fentin magudin kansa - tsakiya biyu - sama da sauran. Tsiri na 1 cm ya jawo ɗan wasa mai kyau na terme a cikin ruwa. A lokacin da komai ya bushe, wani bakin ciki goga goge Dome, kofofin da furanni, ciyawa da furanni a kan ruhu da tsuntsaye a sararin sama. Da kyau da sauri.
Pulversizer da ruwa
Zane na huɗu, wanda nake so in raba, kasance a kaka kaka da aka zana tare da ruwaColor. Bayan tattara ganye da yawa, itacen oak kuma wasu a kan titi, ya yi kuka da kyau a kan Wattman kuma suka kewaye shi da fensir. Bayan haka, yana da mai kama da takardar da ruwa daga Pulverizer, ya ba shi minti 5 da kuma taka leda da tawul na fensir na layin fensir. Watercolor, ba tare da diluting da ruwa, shafi Wathman kuma ya yayyafa da gishiri. Ya zaɓi sautin daga farin zuwa shunayya, duk ganyayyaki sun mamaye gefen. Tsanaki, ba tare da hadadden iyakoki ba. Na farko sanya kawai bango. Hagu ya bushe shi, gishiri mai gishiri.
Sannan busassun Tassel mai tsananin gishiri. Ganyen yayi daidai da bango, amma ba da gishiri ba. Bayan bushewa, ya zana duk matakan, ya zana gefuna. Kwararren goga a cikin farin gouacing da kwarara a kan tsarin, ƙara farin farin, alamun ƙarshen kaka da damuna.
Auduga swabs
Kuma tare da taimakon hannayen auduga sun kirkiro lilac na fure. Don wannan da aka yi amfani da shi:
- Watman A3;
- GoUache;
- auduga swabs;
- buroshi;
- buroshi tare da m bristles;
- Palette.
Na farko sanya bango. Points na launuka uku: shuɗi, fari da ɗan rawaya mai launin shuɗi ta hanyar stortica strokes kewaye da ganye. Yi amfani da goge wuya don wannan. Dokokin dafa abinci da aka tattara a babban haɗi. Na matse gouche a kan palette: shuɗi, fari, kadan ja da baki. Ya nemi launi na Lilac, wani tarin macale a fenti da kuma buga wani yanki na Lilac. A twig na duhu, haske, kuma kusa da ɗan farin fari. Bayan buga bushe, tushe, twigs, ganye. Mizarar wasu furanni. Da kyau sosai.
Mayar da zane mai fasaha yana da yawa, ba na son in gwada kamawa da gwada komai, Ina jin daɗin abin da ya riga ya kware, kuma ya zama da kyau sosai. Ina maku fatan aiwatar da abubuwa da nasarorin, sabbin abubuwa ne da sa'a.
